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THIS BLOG INTENDS TO PROVIDE SOME DETAILS AND HISTORY OF THE DEPARTMENT OF ENGLISH, PAYYANUR COLLEGE, EDAT, KANNUR DISTRICT, KERALA STATE. IT MAY ALSO MAKE VISIBLE ACADEMIC ACTIVITIES AND ACHIEVEMENTS OF THE DEPARTMENT. SERVICE AS A SITE FOR THE CREATIVE EXPRESSION OF THE FACULTY, STUDENTS OF THE DEPARTMENT AND THOSE WHO LIKE TO ASSOCIATE WITH THE DEPARTMENT IN ITS GOING FORWARD IS ALSO A MAJOR CONCERN.
Sunday, February 24, 2013
Sunday, February 3, 2013
Rajesh from Karippal is a brilliant former student of the Department of English, Payyanur College. He took his masters from Calicut University and then entered teaching profession. He worked in Mali for some years and is presently in UAE. Here in this article he looks at the ideological aspects of names and naming.This is an article from his blog. Please visit: http://thurasabhinavar.blogspot.com/2012/03/whats-your-name.html
| Gender | Male |
|---|---|
| Industry | Education |
| Occupation | Teacher |
| Location | Al Faseel, Fujairah, United Arab Emirates |
| Introduction | i'm going to begin from the beginning |
| Interests | reading, listening to music |
| Favorite Movies | A knife in the water, The Pianist |
| Favorite Music | Ghasals |
| Favorite Books | Heart of Darkness, Love in the time of Cholera, If on a winter's night a traveller |
2012, മാർച്ച് 31, ശനിയാഴ്ച
What's Your Name?
By any other name would smell as sweet."
(William Shakespeare, Romeo and Juliet, Act II, Scene ii)
Juliet attaches no importance to a name. The rose would smell
sweet even if you call it by another name. It’s not the name but the person who
is important.
A jump cut to Alex Hailey to find out how invaluable the name
is. The protagonist in The Roots is Kunda Kinte who eschews the name
given to him by his slave master. He is not ready to give up his identity. His
name is deeply rooted in his clan, his culture and his individuality. “What’s
your name”? The question is put to Kunda Kinte with the cracking of the whip
and he stubbornly refuses to be baptized as Toby. The name embodies everything.
The name is given in a language. Language and name are
inextricably interwoven. When an African name like Kunda Kinte is changed into
Toby, he loses his identity.
The days of racial segregation still hovers around the black
people. The days of apartheid are over, no one can denigrate them as niggers,
kuklux Klan can no longer terrorize them.
The little black boy, as in William Blake’s poem, realizes
that he has become black due to over exposure to the sun. The sunlight is God’s
grace. Unlike his white brother, he has received God’s love in abundance.
That’s why he has become so black!
The slave masters were transformed into colonial masters.
Language was used to subjugate the colonized. Names were attributed freely to
humiliate the indigenous people. Empires were formed mixing blood with words.
The language of the master played a pivotal role in history
because language is power. The symbiotic relationship between the two can never
be overlooked.
Literature employs language. Hence it is impossible to ignore
the way the language is used in fiction, poetry and other genres. Language is
not an innocuous tool to create aesthetics. It is a political manifestation of
the dominant powers and their hegemonic ideology.
The Red Indians have a language which they lost in the
process of colonization, the Maoris were forced to learn English and there are
umpteen examples in history where the extinction of language paved the way for
the extinction of culture. Language, it is said, is the road map of culture.
What about a society with multi-cultural and polyphonic
background? There is no one dominant language, rather languages and cultures.
Even in such a scenario, it is quite ostensible that the dominance of the
hegemonic ideology is apparent.
As Ngugi Wa Thiongo observes in his Decolonizing the Mind,
“Bullet was the means of physical subjugation, while language is the means of
spiritual subjugation”.
Don’t you think that there are so many things involved in a name?
Tuesday, January 29, 2013
Amritha Shergill (1913 - 1941): Hundredth birth anniversary of this renowned painter is celebrated today. The sketch of life that follows is from the site: http://www.itasveer.com/artsmart/top-10-painters-of-india/achievements-of-amrita-shergill and it provides a factual account of her life and contributions. She excels in painting women in melancholic mood.
Achievements of Amrita Shergill
The name ‘Amrita Shergill’ stands out prominently amongst the modern
painters of India. She was the youngest and only Asian artist to be
elected as an Associate of the Grand Salon, Paris. She was the 'most
expensive' Indian woman painter as well. Amrita is sometimes also known
as India’s Frida Kahlo. She was very much influenced by the
impressionists. She altered the face of Asian art and set a course for
women artists. Her works echo the beauty and brilliance she possessed.
In the following account, you will find the achievements of Amrita
Shergill painted in various shades. Early Life of Amrita Shergill
Amrita Shergill was born in Budapest, Hungary on 30th January, 1913 to Umrao Singh Shergill Majithia, a Sikh aristocrat and a Sanskrit and Persian scholar and Marie Antoinette Gottesmann, a Jewish Opera singer from Hungary. As her life unfolds, we come to know that she spent most of early childhood in Budapest. She was the niece of Indologist Ervin Baktay. He guided her and gave her an academic foundation to develop on.Education of Amrita Shergill
In 1921, her family shifted from Hungary to Shimla. There Amrita developed an interest in the art of painting. Thus, she took tuitions from an Italian sculptor in Shimla. When in 1924, her teacher moved back to Italy, Amrita and her mother also followed him. In Italy, she joined Santa Anunciata, a Roman Catholic institute.Amrita Shergil received exposure there to the works of the Italian masters, which furthered fanned her interest in painting. She received formal training of painting at the École des Beaux-Arts in Paris, under Lucien Simon. At that time, she was deeply influenced by some European painters. Her paintings mirror a strong influence of the Western modes of painting.
Career of Amrita Shergill
Amrita Shergil returned to India in 1934 and since then, began her never-ending journey in the field of Indian art traditions. In India Mughal miniatures schools and Ajanta paintings had a great impact on her. When she journeyed to the southern parts of India, the famous South-Indian trilogy paintings came into being by her brush and paint. She evolved her own distinctive style. According to her, it was basically Indian in spirit, subject, and technical articulacy. Now, her paintings took the villagers, the poor and beggars as subjects.Famous Paintings by Amrita Shergill
Amrita Shergill’s gangling and sharp figures of the poor are cloaked in homespun materials. They look flimsy and forlorn. Perhaps, reflecting her inner glum. The originality and uniqueness of Ajanta and Ellora, the sumptuous murals at the Mattancheri Palace in Cochin and the power of the Kushan sculpture she saw at Mathura, portray her work. She became familiar with Indian miniatures and adored the passionate Basohli School. She attempted to embrace some elements of Rajput painting in her later works, with feeling and flamboyance.One of her early paintings ‘The Torso’ was a skillful study of an undressed which was known for its intelligence of drawing and bold modeling. Amrita completed ‘Young Girls’ in 1933. During her time, India was just coming out of the Purdah age, obligatory during the Muslim rule. So, great courage was required to paint nudes and this she did boldly and beautifully. She was a non-conformist. She painted herself gracefully in the nude. These paintings are today’s art treasures. In the negotiation, she blazed a radical trail which has served as a guiding light to other Indian painters.
It is said that she didn’t identify with the national struggle for independence. The reason can be perhaps, she didn’t know that she would not live long enough to witness how soon that power would revivify Indian art.
Awards, Achievements and Legacy
Amrita Shergill was amongst the most gifted Indian artists of the pre-colonial era. Her works reproduce her unfathomable passion and sense for colors. Her profound understanding of the Indian subjects can also be seen in her paintings.The Government of India declared her illustrious works as National Art Treasures. The National Gallery of Modern Art in New Delhi is adorned by a majority of Amrita’s paintings. Also, there is a road known as the Amrita Shergill Marg in Lutyen's Delhi.
A postage stamp was released in 1978 in India which depicted her painting 'Hill Women'. She inspired a number of contemporary Indian artists. It was in the year 1993 that a renowned Urdu play ‘Tumhari Amrita’ (1992) by Javed Siddiqi came into being. Her work is the main theme in the contemporary Indian novel ‘Faking It’ by Amrita Chowdhury.
Amrita Shergill’s life was filled with passion and color just like her canvasses. She lived life on her own terms, with exceptional ways. In 1938 Amrita married her Hungarian first cousin, Dr. Victor Egan. With him, she moved to her paternal family's home in Gorakhpur, Uttar Pradesh. Later, the couple shifted to Lahore. Prior to her untimely demise, she left behind a body of work that establishes her amongst the leading artists of the century and a wonderfully eloquent symbol of synthesis between the East and the West. Amrita Shergil left this world on December 6, 1941 but achievements of Amrita Shergill are eternal, splendid and intense. They are keeping her alive amongst us.
Tuesday, January 22, 2013
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